Art and industrial design and everything in between: a conversation with Rae Ann

Untitled No. 53 a.k.a. War & Peace, Rae Ann Pritchard

Untitled No. 53 a.k.a. War & Peace, Rae Ann Pritchard

As promised, the blog has returned full force. Today’s post is a long awaited conversation with Rae Ann Pritchard (big thanks to her for really taking time to answer all of my questions so thoughtfully), another artist friend of mine that I met through some very fun and decidedly music-instigated channels. We met two years ago during a crazy convergence of three groups of people from Cleveland, Akron, Philadelphia and Los Angeles, all of us descending upon the small conglomerate of twin towns, Thomas and Davis, West Virginia for two (now infamous) performances by the always amazing (and equally comedic) Jim Bianco. Before arriving I only knew one other person, my sister Adrienne, who I traveled with. When I left, I had 6 new friends, and Rae is one of them.

Rae is a multi talented artist and I am fascinated with the combination of her degree industrial design with her output of fine art. I thought it would be fun to pick her brain about the differences and similarities between the two, how she applies them, and also to learn more about Rae herself and what makes her tick. So, settle in with a cuppa whatever and have a good read about another talented member of our blog community!

TT: Who is Rae?

Rae: I have a twin brother named Joe. We were born in Sandusky, OH in 1984 and our family moved to Akron OH in ’86. I went to Miller South School for the Visual and Performing arts from 5th grade through 8th grade and attended Firestone High School, graduating in 2002. I was going to go to school out of state originally, and had been accepted to a school in Philadelphia, but then, perhaps because of some sort of separation anxiety from my twin, I decided to go to Bowling Green State University. I attended BGSU for two years. After a family vacation to Chicago, I decided I needed to live there. I attended the University of Illinois at Chicago for 4 years graduating with a Bachelor of Fine Arts in Industrial Design and a minor in Classical Civilizations. I’m currently back in Ohio but am looking into graduate school for set/prop/production design.

I’m a bookworm. I read a lot and I’ll read pretty much anything anyone suggests. Some of my favorite authors are Dave Eggers, Kurt Vonegut, Leo Tolstoy, and Joe Meno. Some of my favorite poets are e.e. cummings, William Wordsworth, and Shel Silverstein. I also love board games, especially Apples to Apples and Scrabble.

TT: What first got you interested in the arts?

Rae: I’ve been drawing for as long as I can remember. I don’t have a memory of deciding to get involved in the arts, I’ve just sort of always been involved. When I was in 4th grade, my art teacher told me about a new visual and performing arts school called Miller South and suggested I go there. I did, and I continued the visual art program through high school. I’m not sure what would have happened without the encouragement from my art teacher in 4th grade, but I’m pretty sure I’d still be doing art related things.

TT: Fine art vs. industrial design. Interpret that in any way and tell us about it!

Rae: Design, as Charles Eames has said, is the recognition of a need. It’s noticing that something is missing and then doing what you can to fill that hole. Painting, and other fine art also comes from a need, but it’s more from the need of an individual (the artist) than from the needs of a group of people. Industrial Design, is basically product design. Anything a person uses was designed by someone for a specific use and more often than not, an industrial designer worked on a team to figure out what you might want/need, why you would buy it, and how you’d use it. Industrial Design and Graphic Design, are both areas where the final product is something created with the intention of being mass produced, whereas, fine art pieces, such as a painting are not.

For me, design is the removal of self (of the artist), as much as possible, from the equation and fine art is all about the self, or at least it should be.

Fine art, especially painting, is my way to relieve stress and work through emotions. It’s why I couldn’t major in Painting; it’s my release. When I’m having a tough time there are two things I turn to; music and painting. Of course, I enjoy those things when I’m happy or contented as well, but they are the two avenues I venture down to work things out for myself. I would never consider turning to Graphic or Industrial Design to help me work through things.

Burton Lounger, Rae Ann Pritchard

Burton Lounger, Rae Ann Pritchard

One of the main reasons I chose Industrial Design as my major was because of my interest in set and prop design. My second year as an Industrial Design major, we were given a furniture project. We were to design the piece of furniture focusing on what area of Industrial Design we wanted to further explore. This project was more of a combination of fine art and design because there wasn’t the removal of self. Our goal was to make a piece of furniture we identified with; that we were interested in. Some people did kid-sized furniture, some made tables out of bent wood, others chairs out of recyclable materials. I decided to create a chair that looked like it could fit on a Tim Burton set.

The first part of my process was to sketch and brainstorm. I needed to decide what type of chair I wanted to make; a hardwood chair, a rocking chair, a lounger? Once I chose the type of chair I wanted to design, I looked at how people, including myself, sit in chairs. I discovered that no one sits in one position for very long and decided to design my chair to be big enough to combine at least the three most common types of lounging I observed. Next, I needed to figure out what a piece of furniture needed to do to look like it belonged in a Burton film. My research included watching a lot of movies and looking at a lot of sketches from Burton. I decided to pick a few characters and a few films and focus on those. In the end, I chose The Nightmare Before Christmas, not a film Burton directed, but one that is his regardless. The chair is based off of the character Sally, the rag doll. This is the biggest model I have made for any of my Industrial Design classes, but I figured that if I had to do a model, it might as well be full size – I wasn’t making this for my dog!

As an Industrial Design student, most of our projects began with examining the user group for whatever product we were designing. Identifying the user group, whether it be women 24-36, kids ages 9-12, or senior citizens 64-85, is the best way to keep a project on track. Knowing the user group is what helps you create a successful design. The user group is another very big way that design, especially Industrial Design, differs from fine art. I would never begin a painting by thinking: “This is going to be seen by people mainly in the age range of 21-30. What would they like to see?” I begin paintings with a visual in my mind, or a feeling, or just a color and go from there.

So, with all of that said, I think it would be obvious that I consider the bags and jewelry I make to be part of Industrial Design. This is because they are created with a user in mind and with the intention of being used for something/by someone.

TT: You went to school in Chicago, what are some of your favorite spots there? What do you miss most about being away?

Rae: I loved Schubas. It was a lot of fun to see shows there and they have some decent sweet potato fries. I’m a sucker for sweet potato fries. I also really enjoyed going to Reckless Records to just wander among the cds and vinyl. Dave’s Records was a fun place to wander around too. And then there’s Myopic Books –my favorite book store. I actually really miss the CTA, which is kind of hilarious since I spent most of my time there complaining about it. I don’t have a car though, so the CTA made it very easy to get anywhere I wanted and it provided some of the best people watching opportunites.

TT: What is your favorite medium to work with (fine art related)?

Rae: Paint. I like acrylic because it’s easier to clean up, but I like oil because I feel like I have a little more control over it. I’m not big on watercolor.

TT: What projects are you working on now?

Rae: I am a collector of fabric and material. I use this fabric & material to make bags/purses, all handsewn. I also paint a lot. Right now, in between sewing and doing smaller paintings, I’m working on a pretty big painting directly inspired by Jakob Dylan’s Women & Country album. It is on an old wooden door and is tentatively titled Battle Songs. Before this painting, the biggest one I’d done was 4′x4′, so this is taking me a bit longer than I anticipated, but it’s a lot of fun.

TT: Rae Ann Pritchard in 20 adjectives.

Rae: Ok, I asked my friends to answer this for me. Here’s what they said: funny, smart, nice, worrier, caring, polite, savvy, pretty tall, honest, dedicated, talented, awesome, generous, spontaneous, creative, calm, sweet, cool, tough, stubborn, independent, witty, friendly.

TT: I know you’re a music head, too! What are you listening to these days? Who are some of your all time favorites?

Rae: As I am answering these questions, I am listening to a playlist that includes music by the Kinks, Buddy Holly, Joe Strummer & The Mescaleros, The Traveling Wilburys, Warren Zevon, Elvis Costello, The Jam, Roy Orbison, The Clash, The Replacements, and Leonard Cohen. I grew up listening to a lot of Tom Petty and the Heartbreakers and like them quite a bit. When I was younger, anytime we were in the car we were either listening to Tom Petty or the Traveling Wilburys

I also really love Bob Dylan, Jim Bianco, Gary Jules, Joe Henry, Fiona Apple, Collective Soul, Silverchair and Powderfinger. And, I’ve actually been listening to She & Him and Vampire Weekend a lot lately.

Of course, my absolute favorite band is The Wallflowers and my favorite singer is Jakob Dylan. I’ve been listening to the Wallflowers since I was 12 years old, they were the first band I considered “mine” and not one of my parents bands (even though my parents are big fans too). I’ve seen the Wallflowers or Jakob Dylan in concert at least 15 times in at least 7 different states. I once flew to L.A. for 25 hours to see a Jakob Dylan concert. Anyone who knows me well, knows it would not be smart to diss the Wallflowers or Jakob Dylan in my presence. I will take it personally! The reason? Jakob Dylan is an amazing songwriter. His lyrics & music have been there for me in times when nothing else was. Those songs are what I turn to for strength, comfort, and hope. His music reminds me that there are things worth fighting for, things you need concern yourself with, things you need to leave alone, and that you do have the strength to make things better or walk away.

TT: Favorite lyrics?

Rae: “You are safe in the arms of the unknown, I just need to remind you that the brave, they carry on” – Jakob Dylan, lyrics from No Matter What

TT: (Drum roll please, the now infamous question everyone gets asked!) If you were a super hero, what would your super hero powers be? What would your super hero name be? Costume?

Rae: I would definitely be able to fly. Other powers may include, but are not limited to: ability to learn to play any instrument really well as soon as I pick it up, ability to control music that gets played on the radio, and the power to knock common sense into folks who are otherwise greatly lacking it. I do think the Point-Of-View Gun from Hitchhiker’s Guide could be fun as well; only to be used in the most dire circumstances, of course. I would be known as Super Lizard which is a really silly super hero name that makes little sense unless you know that one of my best friends, Levi, came up with that name when we were in eighth grade AND I have a gecko tattooed on my shoulder. My costume, however, would look nothing like a lizard. It’s hard to say what the costume would look like, all I know is I wouldn’t want you to see me coming.

Calla Lily (Acrylic Paint on wood, March 2010, 9"x 11.5")                           Rae Ann Pritchard

Calla Lily (Acrylic Paint on wood, March 2010, 9″x 11.5″) Rae Ann Pritchard

Calla Lily:
This was the first painting I’ve done on wood. I’ve decided to paint on a wooden door for another (bigger) painting I’m working on but wasn’t sure how it would work. This was a test run of sorts and I really enjoyed it! The paint dried much faster than I was used to, but I enjoyed that because it kept me from second guessing where I put the paint or why.

"I Was Once There" (acrylic on wood, June 2010, 19.25" x 15"), Rae Ann Pritchard

“I Was Once There” (acrylic on wood, June 2010, 19.25″ x 15″), Rae Ann Pritchard

This one is a combination landscape/abstract painting also done on wood.

"Wisdom Waits" (acrylic on wood, June 2010), Rae Ann Pritchard

“Wisdom Waits” (acrylic on wood, June 2010), Rae Ann Pritchard

Partly inspired by lyrics from Jakob Dylan’s album Women & Country but deals more with how I was feeling at the time. It’s sort of a commentary on feeling stuck or stalled, and as a result, rushing into things before thinking them through, even though you should have known better.

This painting was completed for a set design class and was the beginning of my abstract paintings. It was the first painting I completed that was all abstract and also the first painting where, when I was done I felt such relief. I enjoy painting and will make an attempt at any type of painting, but abstract painting, or a combination of abstract and realism, is what I would choose for myself. It’s my release.

    Untitled No. 53 a.k.a. War & Peace (house and acrylic paint on canvas, July 2006, 48"x48"), Rae Ann Pritchard

Untitled No. 53 a.k.a. War & Peace (house and acrylic paint on canvas, July 2006, 48″x48″), Rae Ann Pritchard

For more about Rae, and more examples of her artwork visit raeannpritchard.com

One Man’s Trash City Radio Show is Another Man (or Woman)’s Treasure

On Tuesdays from 6-8pm GMT listeners in the Exeter, England area have the distinct privilege of being able to tune their radio dials directly to 106.8. Elsewhere in the world they can point their iPhone or browser to Phonic.fm at the corresponding time (1pm EST in my corner of the world). Those of us that do this are rewarded with a treasure box filled with two hours of diverse music presented as Trash City Radio Show with host Joe Rebel. Joe, a long time music-o-phile, takes us on a genre hopping ride underscored with his encyclopedic-like knowledge of music he includes in his show, including anecdotes, factoids, and in some instances first hand accounts from a man who has been on the UK punk scene from it’s earliest years.

So how did some girl in the middle of America learn of a local radio show all the way across the Atlantic? Much like other discoveries, I first learned of Trash City via the string of serendipitous events surrounding the Mick Jones Rock n Roll Public Library, which has been chronicled here on the blog in earlier posts (see side panel to the right on this blog for all the info you need on that!) Long story short, I recognized the “Trash City” reference along the way (I being a fellow Clash/Strummer affectionado, and Joe likewise, as well as he being a friend of the late great Joe Strummer), and so it was a given that I should tune in. My first passing thought was a “hmm, this could potentially be a good one, I should check it out.” Continue reading

I soliti drunken balordi!

Drunken Balordi, “666 (Drink Up)” live at the Forum, Kentish Town

Despite many odds—broken computers, hangovers, flu viruses and the like from both sides of the conversation, which caused a slight delay getting this together—I’m happy to finally be sitting here about to make this post.

Speaking as a musical head, one who is chronically listening to and seeking out great music that is, I made another jaunt through the mighty Strummerville Foundation for New Music’s DIY section a little while back, and this time around Drunken Balordi caught my attention. I gave a listen to the song posted there and immediately sought out more by them. I came across a great video clip that I wanted to use as Song of the Day, but not knowing the title, I got in touch with lead singer/guitarist Billy King, thanks to some loose connections, to inquire about the name of the song. That lead to an all out interview that I’m pleased to share with you now. So as promised . . . here’s Billy.

    Drunken Balordi: David Vengi, Justin Thomson, David Harris, Billy King

Drunken Balordi

Drunken Balordi
Vocals & guitar – Billy King (myself)
Bass & backing vocals – Justin Thomson
Accordion & party mojo – David Vegni
Drums -Dave ‘Topper’ Harris
Violin – this position is open to anyone, male or female

Brass – session musician on album again looking for more permanent

It says on your bio that Drunken Balordi are from London. What area, and are all members from there originally?

Yeah well we are Brixton based, we are quite an eclectic mix. I am originally from Ireland & lived in Italy for 7 years before moving to Brixton, Justin is from South Africa, David is from Italy, and Topper is from New Zealand.

How did the band come together initially, and who came up with the name?

The band came together when I saw the film ‘Everything is Illuminated’ and I liked the soundtrack so much, I decided to form a band based on that eastern European music and mix it with punk. I put an advertisement on Gumtree and a guy from Germany replied to it, came over for an audition, I played him some of my songs and he liked them and that was the start of Drunken Balordi. That was about two years ago now…and we have gone through a few band members who could not commit etc…or got burnt out from all the party’s we play! (Laughs)When I lived in Italy in 2000 for 7 years I played in various punk bands and basically partying my ass off, there used to be a great punk scene in Bologna and I played in a band called Thee Boozers, made many friends and fans. The name ‘Drunken Balordi ‘ came to be basically … one summers night myself and some Italian punks were sitting in a street drinking and talking about music, politics and what not, when along came another friend and he shouted out ‘Hey, I soliti drunken balordi!’, which means ‘hey, it’s the usual drunken fools’! ha ha ha. So at that moment I thought ‘mmm, that would make a great name for a band’. I forgot about it until one day while walking down Brixton hill when I remembered the name and said ok I’ll use it for this new music project that I was cooking up.

Gogol Bordello, The Clash, gypsy punk, Balkan, klezmir and folk were some names/descriptions I came across several times while reading about the band, and I can hear the influences for sure. But besides that, there’s so much more that makes Druken Balordi, Drunken Balordi. If I were an alien from another planet (and I’m not, I’m just pretending, just so you know), what would you say to describe the essence of Drunken Balordi, outside a stylistic description or references to other bands?

What makes Drunken Balordi, Drunken Balordi is that when people come to our shows most people cannot help but get involved in the ruckus and madness of the music, it really pulls them in and makes them happy and dance and go a little crazy! And after the show, we really like to party off stage just as much as when we are on stage. There are no big egos here in this band just four normal people, who have a passion for music and have ferocious appetites for partying.

What is the creative dynamic within the group like? Is there a principal songwriter or do you work as a unit on each song? How do you approach building a song? (I’m always interested in this as it relates or doesn’t relate to how a canvas is approached).

I am the principle song writer 90%, I come up with a song or story and put down with a rough draft of music, bring it down to the boys and they put their musical expertise over it and smooth it out in the studio etc. As I am the singer too, it’s 99% my lyrics, I am very critical of myself and generally only write about my experiences or how I see things through my eyes so its convincing when I sing our songs ..I think that is a very strong point to our music,..is that its not bullshit, its real!

What do you tend to do if you hit a creative road block?

Ha ha ha ..I only hit creative block when I am not happy or have issues going on. I’m generally a very happy person and content with my lot…I do know what side my bread is buttered on. But what I usually do is go out and try and meet as many new and interesting people as possible and party and dance my demons away. It usually works too.

Do you play any other instruments besides guitar? What about the rest of the band?

The rest of the band …they are pretty talented…they can play quite a lot of instruments. Me, guitar and the Banjo which I actually play on our Debut album self titled ‘Drunken Balordi’ that we are about to have a physical launch party next week at Project Orange in Brixton, this is one of the first venues we played & we are going back for one huge party to thank all the fans that have been coming to our shows for the last 2 years.

What music are you listening to these days?

Oh god ..the list is endless, where do I start?
Well ok then, …right now I’m listening to Lee Scratch Perry! I love all genres of music, and as I live in Brixton which is the Jamaican part of London (the best) reggae is generally the soundtrack for this area here. It’s so laid back here that you cannot help put it on.

Who are some of your musical (or other) heroes/influences?

I have quiet a few, but main hero and influence is definitely Joe Strummer from The Clash. God the passion in his voice was just second to none. On stage he was like a dynamo …super charged! And yet off stage the same person, really passionate.

Via clips and photos I noticed there are many stickers that adorn your guitar and guitar case…what are a few of them? Do you have a special fondness for, or are any of them of particular significance to you worth mentioning?

Haaa haha yeah, they are all beer stickers from show I have played since starting this band, and a lot of them get scrapped off from my aggressive strumming style.
After every show I usually take a label off a bottle and stick it on my guitar. The Sailor Jerry’s sticker makes me laugh every time I think about it. Drunken Balordi were in Norway and it was after we played The Roots Festival and the crazy chef who was looking after all the artists came backstage with a bottle of this whiskey and a bucket of ice ..ranting on about how much he enjoyed our show and saying that if I didn’t drink the bottle with him immediately that he was going to urinate in the artists food the following night! So I had to oblige..what ya gonna do eh?

If you weren’t a musician, what creative outlet do you think you would gravitate toward for most of your output? (And on that note, are there any other creative endeavors you engage in?)

Honestly, I cannot imagine my life without performing music, and entertaining people, I think I would die? Probably be a painter or sculpture, I went to art college for a year but got pissed off been told hold to draw they way they thought I should draw etc ..so I left! Haha hah

In 20 single-word adjectives or less: who is Billy King?

Mmm,.. I’ll ask my good friend Tom Whitehead who is sitting right beside me to answer this one! Tom? Who is Billy King…..
1. Music
2. Guinness
3. Clash
4. Women
5. Ambitious
6. Brixton
7. Contemplative
8. Woosh
9. Travel
10. Women
11. Hungover
12. Bikes
13. Waistcoat
14. Women
15. Music
16. Colourful
17. Jiggery-pokery
18. Curry
19. Fair
20. Women

Ha ha ha ha .. I have to say, I could not have put it better myself!!! Thank you Tom

I know you’ve been busy, what are Drunken Balordi up to these days?

Drunken Balordi will be having their ‘official’ Debut album release party at the famous punk venue The 100 CLUB on Oxford Street in London this summer 2010. We are lookingat options for distribution deals for the album if anyone can help with that. We have quite a few festival shows lined up for this summer see www.drunkenbalordi.com

We will more than likely be back in NYC this year after recently meeting up with Gogol Bordello in London before their show at the Apollo Hammersmith, and they spoke about Drunken Balordi performing at the NYC world music Festival. So hopefully see you again this year! Opppppppppppaaaaaa. We have also a few European shows in the pipeline Prague/Amsterdam/Sweden and we would love to play Germany.

Drunken Balordi have also just been asked to play StrummerCamp festival this summer in Manchester. That’s a great honour for me!

Finally, I have to ask because this is (as of this writing) officially going to become the question I ask everyone: If you had a super power, what would it be? And, what would your super hero name be?

To make everyone happy with my music regardless of how serious their problems are, to make them feel that they are amongst friends & they can always come see us and forget everything else!

Super Hero name?

Ha haha, ‘Billy The Kid’ …the list is endless!

Huge thanks go out to Billy for allowing himself to be interrogated by me for this interview! To hear more and to keep up with their goings on you can visit the Drunken Balordi site, and you can also stop by the Strummerville DIY Drunken Balordi page for a free download of “Brixton Sun.”
Drunken Balordi Jam on a Roof Top in Rome